Tuesday, December 6, 2011

Sugar's 2011 Pushcart Prize Nominations

We are excited to announce our Pushcart Prize nominations for this year. Thanks to all of our contributors for two fantastic issues in 2011. We wish our nominees lots of luck.
  • Katharine Cole's "Trail Guide"
  • Katie Kingston's "Concourse A Exhibit"
  • Steve Langan's "The Midwest"
  • Greg Pape's "Waking to Rain"
  • Patricia Smith's "Laugh Your Troubles Away"
  • Theodore Worzobyt's "Fugal"

Thursday, November 3, 2011

Issue 5: Fall/Winter 2011 Launch


Sugar House Review Issue 5 Reading

Wednesday November 16th 7:00—9:00 P.M.

Salt Lake Public Library Main Branch
210 East 400 South
Salt Lake City UT 84111

Celebrate the release of recent issue of Sugar House Review with readings from Shanan Ballam, Star Coulbrook, Jen Hawkins, Cathy Peppers, and Mike White as part of the City Art Reading Series.

Shanan Ballam poetry has appeared in several journals, including Indiana Review, Spoon River Poetry Review, and Cream City Review. Her chapbook, The Red Riding Hood Papers, was released by Finishing Line Press in 2010. She teaches poetry writing and academic writing at Utah State University.

Star Coulbrooke directs the Utah State University Writing Center and is responsible for Helicon West, a bi-monthly open readings/featured readers series. Her poems are published in journals and anthologies such as Redactions: Poetry and Poetics and A Cadence of Hooves: A Celebration of Horses. Her poem, “How I Stopped Selling Life Insurance,” was named Editor’s Choice in the anthology, New Poets of the American West. Star lives in Smithfield, Utah, with her partner, Mitch, and their three labby-heelerish dogs.

Jen Hawkins is an English/Philosophy double major and Art minor at Idaho State University. Her writing and artwork have been published widely and have received numerous awards. A recovering masochist, Jen enjoys caffeining, shebeening (with all due moderation) and making stuff. She loves Joe with all her bleeding heart.

Cathy Peppers holds an MFA from Bowling Green State University, a PhD from the University of Oregon and has taught at Idaho State University since 1998. She lives with singer-songwriter Bob Picard on a one-hundred-year-old farmstead with superfluous creatures, including a blackjack of cats, two horses, a motley of chickens and a goat. Her poetry is loosely collected in a few manuscripts; the poems here are from Arts & Sciences (call it love), regressing forward and in loving detail.

Mike White poems have appeared in venues including Poetry, The New Republic, The Iowa Review, The Antioch Review, The Threepenny Review, Denver Quarterly, FIELD, Witness, Poetry Daily and Verse Daily. His work has been nominated for the Pushcart Prize anthology on six occasions, most recently by Sycamore Review. He is a graduate of the doctoral program in Literature and Creative Writing at the University of Utah, and a former editor-in-chief of Quarterly West.

Most featured readings are followed by an open reading. City Art is sponsored by the Utah Arts Council, the Salt Lake City Arts Council, Catalyst, the Salt Lake City Public Library, Xmission, and the Zoo, Arts, and Park Fund.

The event is free and open to the public. City Art is sponsored by the Utah Arts Council, the Salt Lake City Arts Council, Zoo, Arts, and Parks, X-mission, and audience donations.

Tuesday, October 18, 2011

Nick Demske & Rob Carney Reading





Sugar House Review in partnership with the Utah Humanities Council is pleased to announce a reading with poets Nick Demske, author of Nick Demske, and Rob Carney, author of Story Problems on Monday, October 24th at 7:00 p.m. at the Mount Tabor Lutheran Church (175 South 700 East). This event is free and open to the public and is part of the Utah Humanities Council Book Festival. Sugar House Review would like to thank them for their sponsorship.

Nick Demske’s first collection, Nick Demske, is ostensibly a collection of sonnets, though it’s more like sonnet taxidermy, the sonnet eviscerated. The hide is in place, the constraints are there, but our pet is no longer our pet. The eyes are different and the lips curl up just so. The fourteen lines are present, except when they trail off. The rhyme schemes, while they shift from poem to poem, are nearly always present though Demske innovates on the form by simply breaking words as is convenient to make rhymes work, a move now known as “the Demske.” These breaks are startling, confusing, and simultaneously hilarious once the pattern begins to emerge.

    Nick Demske writes from culture like the Hollywood version of a rebellious slave, the role shredding off him, culture's synthetic exemplary tales shredding and piling up on the floor of the projector room, but non-biodegradable, sticking around, the pancake makeup also strangely persisting, rendering his face plastic and one with the material of the film, the celluloid itself. How can we tell this dancer from his nasty dance? The sonnet is one brief sequence played backwards and forwards until its fake, twitchy face says everything. –Joyelle McSweeney

Nick Demske lives in Racine Wisconsin and works there at the Racine Public Library. His self-titled manuscript was chosen by Joyelle McSweeney for the Fence Modern Poets Series Award and published by Fence Books in 2010. He is a founder and editor of the online forum boo: a journal of terrific things (http://boojournal.wordpress.com/) and curates the BONK! performance series in Racine (http://bonkperformanceseries.wordpress.com/). To find reviews, interviews, poems, audio, video and a list of upcoming readings, please visit http://nickipoo.wordpress.com/

Rob Carney is originally from Washington State and earned his BA from Pacific Lutheran University, his MFA from Eastern Washington University, and his PhD from the University of Louisiana-Lafayette. He is the author of New Fables, Old Songs (Dream Horse Press, 2003) and Boasts, Toasts, and Ghosts (Pinyon Press, 2003), which won the 2004 Utah Book Award for Poetry. His collection This Is One Sexy Planet won the 2005 Frank Cat Press Annual Poetry Chapbook Contest, and he won The National Poetry Review's 2004 Chapbook competition for The Book of the Living. His writing has appeared previously in Atlanta Review, Mid-American Review, The National Poetry Review, Poetry Northwest, Quarterly West, Redactions: Poetry & Poetics, and many others, as well as in the collection Flash Fiction Forward (W.W. Norton, 2006). Currently, he is a professor at Utah Valley State College and lives with his son Quentin in Salt Lake City.