Showing posts with label Natalie Y.. Show all posts
Showing posts with label Natalie Y.. Show all posts

Tuesday, December 18, 2012

Sugar's 2012 Pushcart Prize Nominations


Sugar House Review's excited to announce our 2012 Pushchart Prize nominations:
  • Rob Carney’s “A Lesson Every Shipwreck Learns Too Late”
  • Steven Cramer’s from Clangings, [Mother said you count your friends on one hand…]
  • Amy Eisner’s “Wasting Water”
  • Kate Greenstreet’s “719”
  • Jay Hopler’s “That Necessary Evil”
  • Carl Phillips’s “Your Body Down in Gold”
It's never easy to pick just six out of so many amazing poems. So, a special thanks to all of our 2012 contributors--obviously, without you, there is no Sugar.

Saturday, May 26, 2012

Sugary Year


It's been a full year for Sugar so far. AWP was insane and great; we met a lot of contributors and subscribers, which is always nice. We sold out of our the Fall/Winter 2011 issue (at least what we brought with us), which is also nice.


In the past month we launched our 6th issue, Spring/Summer 2012, and while it took longer than planned to get it ready, it was worth the extra time. Contributor and subscriber copies finally shipped this week. We're proud of this issue, so if you're not a subscriber, you should find out how to get your hands on one.


Also this last month, we found out Patricia Smith's poem "Laugh Your Troubles Away," from our Fall/Winter 2011 issue, won a Pushcart prize and will be featured in the 2013 anthology, due out in the fall. We felt lucky just to get Patricia Smith's poems in our pages, and feel much more than lucky to have our second Pushcart winner. (The issues with Pushcart-winning poems are available for purchase on our website: #1 Fall/Winter 2009, #5 Fall/Winter 2011.)

To sum this up, we are overwhelmed by the good things Sugar's been able to be a part of in the first part of 2012 (and the two years previous). Our next issue will mark three years (!). For the four of us who founded the magazine (Natalie, Nathaniel, Jerry and John), it seems pretty crazy. This endeavor is a lot more work than we anticipated, but it's also has much bigger rewards than we expected. Thanks for supporting us. We couldn't do it without you--subscribers, contributors, volunteers, submitters, event attenders, candy eaters, etc.

We have yet to figure out how to be good blog keepers, but we're hoping someday soon, we'll get it better at it. Thanks for being patient.

Sunday, November 21, 2010

Pushcart Prize Nominations


Sugar House Review is lucky and honored and still amazed to have Paul Muldoon's poem from our first issue (Fall/Winter 2009) included in Pushcart Prize XXXV--Best of the Small Presses, which is out now and available for purchase. We have a copy and recommend it, not only because of Muldoon's poem, but because it's a great anthology of work, illustrating the wonderful job small presses are doing.

This new Pushcart anthology signals not only a great collection, but also that it's time for this year's nominations. We had a difficult time narrowing it down to six, because we love all of the work we've published this past year. Here are the six poems we nominated:

  • Steven Cramer's "Versions of Mandelstam" (v3)
  • Yolanda Franklin's "Porch Sitters Sippin' Sweet Tea in Heaven" (v2)
  • Randall R. Freisinger's "Alien Sex" (v2)
  • William Kloefkorn's "Sundown Syndrome" (v2)
  • Janet Sylvester's "Away From the Flock" (v2)
  • Pimone Triplett's "I Dream of Jeannie: Parabolic Lens" (v3)

Congratulations to these six poets!

We want to thank all of our contributors--obviously, we wouldn't have any Sugar without you--we appreciate you and your work.

Wednesday, November 10, 2010

New Poets of the American West


About a month ago, Nathaniel and I attended a reading for the anthology New Poets of the American West in Tremonton, Utah on the Holmgren Historical Farm. It was an amazing evening--a reading in the barn, with a bon fire to follow. Such a beautiful setting and beautiful work.


A couple of weeks after that, a few of our editors attended the Helicon West reading in Logan, Utah (posted previously on this blog) also featuring poets from the new anthology. It was another excellent evening of poetry and several of the poets at both readings have had work in Sugar House Review. If you don't already have a copy of the anthology, we here at the Sugar, endorse it--it's big, it's Western and it has some great poets.

Rob Carney has two poems in our current issue--he read part of one of them that night.

Star Coulbrooke has three poems in our first issue, is the founder of Helicon West and organizer of this evening's reading, plus she won editor's choice award for her poem in this anthology.

Michael Sowder has three poems in the current issue of SHR.

Chris Kokinos

Katherine Coles, Utah's Poet Laureate

You might not guess it, but Utah really has some incredible writers. Tomorrow night at Helicon West (Thurs., Nov. 11) our review editor, Mike McLane will be reading with Rob Carney. Both of their work is great, so if you're around, go see them.

Friday, October 15, 2010

Where Have All the Stanzas Gone?


Stanza breaks, people. Stanza breaks. Stanza breaks? People? What happened to stanza breaks? Why this trend of what many of us call "the blob?" Where, oh where have all the stanzas gone? And why do people think readers no longer need a break? Or a little guidance?

Over the last year, I've read more poetry than I have in my entire life. Not because I'm being a diligent reader, but because I'm being a moderately-diligent editor. Reading other people's poetry in mass quantities has given me a wider, much more clear picture of the contemporary poet population's trends. Much is good. Much is mediocre. Some is bad (dripping orange orgasms, for instance).

One trend that particularly worries is the lack of stanzas. I read a lot of submissions without a single stanza break. By the end of such submissions, I am gasping for air--I have been given no time to breathe for an entire five poems. Poets? Why oh why would you do this to either of us?

The stanza break gives your message space. It gives the reader some room to take a breath, a moment to contemplate what's going on. The stanza break gives you as a writer a way to pace your work, a way to tell the reader how to proceed, where to take that breath. It gives you more control.

Thomas Sayers Ellis, one of my advisers during my masters program, says that each stanza is a room and a poet must decide how the reader will enter that room. The most obvious way is the door, but what if you take a helicopter and come in through the roof or climb up through the window? The more rooms a poem has, the more opportunities the poet has to direct the reader through the house. And what if you never actually create your rooms? Well then, you have no control over how anyone enters or exits your work.

I'm not saying every poem needs stanza breaks. There are clearly instances where a lack of stanza breaks actually helps the poem, enforces a message of being strangled, of being squished, of emulating a giant jello mold. My argument is that there are far fewer poems that are made stronger by a lack of stanza breaks, than the opposite.

So seriously, give me a break. I want a stanza break (or two or three or ten). People! Poets! Poets and people who submit, it's time to give us all a chance, a break, a breath, some room to rest our little poet heads.

--Natalie

Tuesday, October 5, 2010

Helicon West Reading Series

For all of you in the Northern Utah area, those who plan to be, or those who want an excuse to be, here is a list of upcoming events at the Helicon West Reading Series:

Oct. 14: Community writing group ("Groop") and League of Utah Writers
October 28: New Poets of the American West--poets from the new anthology
Nov. 11: Rob Carney and Mike McLane


Several poets reading on Oct. 28 and both poets on Nov. 11 have work in Sugar House Review. We'll be there--come say hi.

Helicon West is held the 2nd and 4th Thursday of every month at the True Aggie Cafe (117 N. Main St.) at 7 p.m. in Logan, Utah. There is an open mic after the featured readers.


As a side note, we know we've been horrible at keeping this blog up, but hopefully this post is a step in the right direction to getting our lazy editor butts typing.

Monday, April 12, 2010

Ken Brewer video

Here's a video about Utah's former poet laureate, Ken Brewer. We had three of his poems in our first issue. He was a great poet and great influence on Utah's poetry community.


A Song for Ken Brewer from USU Extension on Vimeo.

Thursday, February 11, 2010

Photos of the Reading

The lovely audience

Jerry VanIeperen, Star Coulbrooke and Natalie Young

Carrie Farmer, Sandy Anderson, Adrianna Jorgensen and Shari Zollinger

Natalie Young and John Kippen

Star Coulbrooke, one of the poets in our first issue, took photos to document the Sugar House Review reading. Many thanks to you, Star.

We had a great turnout and all of the readers did an excellent job. Thanks to everyone who made it out to support us.


Saturday, January 2, 2010

Sugar House Review Reading


Sugar House Review poetry reading at City Art (Salt Lake City downtown library).

Wednesday, January 6, at 7 p.m.

Come if you can. Local contributors from our first issue will read some of their work:

Rob Carney
Shari Zollinger
Joanna Staughn
Star Coulbrooke
Brock Dethier
Michael McLane


Many thanks to Joel Long for scheduling us and letting us sell
Sugar House Review at City Art.