BLUE LAWS Sarah’s hair freezes in the winter wind as we walk down the hill to the corner store forgetting blue strictures that say you can’t...

METRONOME The peacock devours his plume absently as the mermaid falters posture among sinking swells— black lines that separate air from cl...

Sediment & Veil by Kirsten Jorgenson (Horse Less Press, 2014) reviewed by Michael McLane “No one in Utah ever died from radiation pois...

Father, Child, Water by Gary Dop (Red Hen Press, 2015) reviewed by Josh Cook Gary Dop’s charming debut collection, Father, Child, Water , ...

Last Psalm at Sea Level by Meg Day (Barrow Street Press, 2014) reviewed by Andrew Haley In Last Psalm at Sea Level , Meg Day gives us poem...

The Cartographer's Ink by Okla Elliott (NYQ Books, 2014) reviewed by Justin Hamm Okla Elliott’s The Cartographer’s Ink begins with an...

Backward Binoculars And Postage for Corpses I’m all eyes and indigo inking signatures in light and language, riddles sewn into the bottom o...